Dropkick Murphys: St. Patrick's Day Tour With Special Guests HOME FRONT & Spiritual Cramp

Dropkick Murphys

Dropkick Murphys proudly remain Boston’s rock ‘n’ roll underdogs turned champions. Since 1996, the boys have created the kind of music that’s meant to be chanted at last call, in packed arenas, and during the fourth quarter, third period, or ninth inning of a comeback rally. Their celebrated discography includes four consecutive Billboard top 10 album debuts (Turn Up That Dial, 11 Short Stories Of Pain & Glory, Signed and Sealed in Blood, Going Out In Style), along with 2005’s Certified-Gold album The Warrior’s Code featuring the double platinum classic “I’m Shipping Up To Boston.” 

Whether you caught a legendary gig at The Rathskeller (The Rat) under Kenmore Square, found the band by taking the T to Newbury Comics to cop Do Or Die in ’98, discovered them in Martin Scorsese’s Academy Award winning The Departed, or saw ‘em throw down at Coachella (or one of hundreds of other festivals), you’ve become a part of their extended family. Dropkick Murphys’ music has generated half-a-billion streams, they’ve quietly moved 8 million-plus units worldwide and the band has sold out gigs on multiple continents. 

Dropkick Murphys' official charity, The Claddagh Fund, has raised millions to support non-profit organizations that are focused on children, veterans and addiction recovery. In 2020, the band was one of the first to embrace streaming performances, starting with their Streaming Up From Boston St. Patrick’s Day virtual performance. It was followed by their landmark Streaming Outta Fenway livestream, which drew more than 5.9 million viewers and held the #3 spot on Pollstar’s “Top 2020 Live Streams” chart. Dropkick Murphys St. Patrick’s Day Stream 2021...Still Locked Down, was #1 on Pollstar’s Livestream chart for the week ending March 22, 2021, logging over 1 million views. Dropkick Murphys returned in 2022 with their first-ever all-acoustic album, This Machine Still Kills Fascists (Dummy Luck Music / Play It Again Sam), and seated theater tour. This Machine Still Kills Fascists--and their follow-up album Okemah Rising--breathe musical life into mostly unpublished lyrics by the legendary Woody Guthrie, curated for the band by Woody's daughter Nora Guthrie. Dropkick Murphys’ new album For The People rises to its moment: an expression of humanity at a time of relentless dehumanization, a promise of hope in an era fueled by fear-mongering, a declaration of solidarity in an age of disunion, a defiant rebuttal to the charlatans and demagogues who seek to divide us for their own power and profit.

HOME FRONT

HOME FRONT from Edmonton, Alberta have been blasting out of everyone’s stereos for the past 3 years with their unique combination of THE CURE, BLITZ, EURYTHMICS, and SUICIDE wrapped up with modern production and tightly wound hooks. Unrelenting 2nd LP Watch It Die soars high and reaches deep with frayed punk edges wrapping around canonic pop luxury. A record about moving through life while acknowledging death, about humanity, rebirth, dreams and community — all powered by vintage drum machines, analog synths and screaming guitars. A punk pop crossover treat like no other.

Spiritual Cramp

Spiritual Cramp aren’t looking for a soapbox. The San Francisco-born punk experimentalists are here to flash a big smile, flip you off, deliver a burst of musical adrenaline, and then keep on walking. “But at the same time, that's something that I'm working on,” vocalist Michael Bingham knowingly grins. And on their upcoming sophomore album, RUDE (due TK via Blue Grape Music), Spiritual Cramp discover a newfound balance between that impish cheekiness, emotional vulnerability, and rabid energy. 

While Spiritual Cramp have perfected their kaleidoscopic take on rock over nearly a decade, the gleeful RUDE marks the start of a new era. Bingham and bassist Mike Fenton have been the band’s constants and written the majority of Spiritual Cramp’s songs, but the new lineup of Bingham, Fenton, percussionist Luna, guitarists Nate Punty and Orville Neeley III, and drummer Julian Smith gelled to the point that everyone joined in the RUDE writing process. “It really helped give color and energy to the whole record,” Fenton says. The results are nothing short of ecstatic, bounding between new wave burn, indie rock swagger, old-school punk, and even dub and hip-hop flourishes.