In This Moment & Ice Nine Kills: Kiss Of Death Part 2 With Avatar and TX2 – August 23, 2024

Event Details

General Admission – All Ages

Date: Friday, August 23

Doors Open: 6:15 PM

Event Cost: Starting at $69.50 (Plus applicable fees)

About This Performance

In This Moment

With a Grammy nomination “The In-Between,” platinum and gold record sales, multiple Top 25 entries on the Billboard Top 200 (“Black Widow” and “Ritual”), hits including “Whore,” “Blood,” and ”Adrenalize” and career streams of more than 1.3 billion, you’d think In This Moment might rest on their laurels. Instead, they’ve created GODMODE, 10 dynamic songs that mark a new high for the quintet, further cementing their legacy in the heavy music world. Proof positive is in GODMODE’s first single, the industrial-heavy yet ultra-melodic “THE PURGE,” and its darkly cinematic video directed by Jensen Noen (Bring Me The Horizon, Demi Lovato). From the portentous start of the ‘90s-tinged “GODMODE” with Maria Brink’s powerful primal scream to the pitch-perfect cover of Bjork’s 1995 “Army of Me” to the impassioned pain to partnership in “EVERYTHING STARTS AND ENDS WITH YOU,” GODMODE is a cut above.

GODMODE’s songs gained even more strength in the studio, with Kane shaking up the band’s usual M.O. even further. “Having some songs by Tyler influenced us as well,” Brink explains. “It was scary for the band, but it ended up flowing just so beautifully. We felt very experimental.” That flow gave the album its name and theme. GODMODE isn’t religious, rather it’s an expression for a triumphant flow state where all comes together seamlessly, coalescing into an ultimate form. As Brink sings in “GODMODE,” “You got me feeling so high / You lift me off of my feet yeah / You got me feeling like, feeling like / I’m in Godmode.” In video games – Howorth plays the game “Destiny” – “God mode” also refers to a code that makes a player invincible.

In this Moment certainly have nothing to prove, the lineup’s authority assured live on record and onscreen. Yet, GODMODE’s energy and scope is visceral. “With our new ideas and excitement and Kane’s energy of wanting to prove himself to everybody, we were able to show that we’re heavy and just as impactful as every other new band coming out right now,” says Howorth. “We can punch you right in the face, that energy is in there big, time. I think our fans are really gonna like this album, because it’s taken us back a little bit where it began, but it’s also more instinctive, and heavier than anything we’ve done a long time,” concludes Howorth.

ICE NINE KILLS

Like the undead slashers celebrated in their songs, ICE NINE KILLS return with The Silver Scream 2: Welcome to Horrorwood, a sequel of gruesome movie-sized proportion to their No. 1 Billboard Hard Rock Album, The Silver Scream. Welcome to Horrorwood carves out a fresh, bloody homage to the VHS celluloid classics that possessed singer Spencer Charnas at an early age, with a devilish new twist.

ICE NINE KILLS make music both timeless and timely, mixing metal, hardcore, and punk, with accessible power. New hard-rock-and-horror anthems like “Hip to be Scared,” “Assault & Batteries,” “Take Your Pick,” and “Farewell II Flesh” demonstrate Spencer’s fascination with fright, pop culture obsession, and his expertise with inescapably wicked melodic hooks and clever twists of phrase. The album mixes the melodies, riffs, and wit that are the band’s signature, as heard in the Top 10 Mainstream Rock single “A Grave Mistake” and Top 20 hit “Savages.”

Loudwire hails ICE NINE KILLS as “one of the most unique acts in metal right now.” The band’s synergy of music and lifestyle draws favorable comparisons to Slipknot and Rob Zombie. Visionary trailblazers and multimedia raconteurs, INK built a thrilling world for a growing legion of devoted true believers, with theatrical shows, high-concept videos, and inventive band-to-fan communion.